MPSE Golden Reel Awards 2014: 61st Annual Winners
The winners of the 61th Annual MPSE Golden Reel Awards have been announced. The 2014 MPSE Golden Reel Awards “recognize outstanding achievement in sound editing presented in 24 categories.”
The full listing of the 2014 MPSE Golden Reel Awards winners:
CAREER ACHIEVEMENT AWARD
Randy ThomTV/FEATURE ANIMATION & DOCUMENTARY
BEST SOUND & MUSIC EDITING: TELEVISION ANIMATION
FAIRLY ODD PARENTS “DUMBBELL CURVE” (NICKELODEON )
Directed by: Randy Myers, Michelle Bryan
Produced by: Butch Hartman, George GoodchildNominees:
Supervising Sound Editor: Heather Olsen, MPSE
Sound Designer: Heather Olsen, MPSE
Supervising Foley Editor: Roy Braverman
Supervising Dialogue Editor: Robbi Smith, MPSE
Foley Artist: John LampinenBEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM
NORTH AMERICA: NO PLACE TO HIDE (DISCOVERY CHANNEL)
Produced by: Keith Scholey, Christine WeberNominees:
Supervising Sound Editors: Kate Hopkins, Tim Owens
Sound Effects Editor: Stephen Griffiths
Assistant Dialogue Editor: Owen Peters
Music Editor: Michael BaberBEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM
DEADLIEST CATCH: THE FINAL BATTLE (DISCOVERY)
Directed by: Jared Cook
Produced by: John GrayNominees:
Supervising Sound Editor: Bob Bronow, CAS
Sound Designer: Bob Bronow, CAS
Sound Effects Editors: Kevin Skaggs, Selina Zakaria
Dialogue/ADR Editor: Jason Tuttle
Dialogue Editors: Kevin Skaggs, Edward Rodriguez
Music Editor: Doug KernBEST SOUND & MUSIC EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
EPIC (20TH CENTURY FOX )
Directed by: Chris Wedge
Produced by: Lori Forte, Jerry DavisNominees:
Supervising Sound Editors: Gwendolyn Yates Whittle, MPSE, Randy Thom
Sound Designers: Randy Thom, Jeremy Bowker
Supervising Foley Editor: Luke Dunn Gielmuda
Supervising Dialogue Editor: Brad Semenoff
Foley Artists: Denise Thorpe, Jana Vance
Foley Editors: Benny Burtt, Jim Likowski
Dialogue Editor: Michael Silvers
Sound Effects Editors: Leff Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
Music Editors: Lisa Jaime, Bill AbbottBEST SOUND & MUSIC EDITING: DOCUMENTARIES – FEATURE FILM
DIRTY WARS (IFC)
Directed by: Richard Rowley
Produced by: Anthony Arnove, Brenda ConklinNominees:
Supervising Sound Editor: Christopher Barnett
Sound Designers: Christopher Barnett, Brandon ProctorSTUDENT FILMMAKER
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS & PRESENTATION OF SCHOLARSHIP AWARD
ROBOMAX (NATIONAL FILM AND TELEVISION SCHOOL)NOMINEES:
Supervising Sound Editor: Tingli Lim
Sound Designer: Tingli Lim
Foley Artist: Ricky Butt
Music Editors: Sarah Warne, Tingli LimCOMPUTER/DIRECT TO VIDEO/FOREIGN FEATURE
BEST SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENT
MORTAL KOMBAT: LEGACY SERIES II – EP.4 (Warner Premiere)
Directed by: Kevin Tancharoen
Produced by: Kevin TancharoenNominees:
Supervising Sound Editor: Michael Babcock
Sound Designers: Michael Babcock, Tim Gedemer
Supervising Foley Editor: Jeff Sawyer
Foley Artist: Gregg Barbanell
Sound Effects Editors: Ian Herzon, Bryan JerdenBEST SOUND & MUSIC EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
STARCRAFT 2: HEART OF THE SWARM CINEMATIC (BLIZZARD ENTERTAINMENT, INC.)
Directed by: Jeff Chamberlain, Nicholas S. Carpenter
Produced by: Caroline Hernandez, MPSE, Phillip HillenbrandNominees:
Supervising Sound Editor: Paul Menichini, MPSE
Sound Designers: Paul Menichini, MPSE, David Farmer, Stuart Provine
Supervising Foley Editor: Darrin Mann
Supervising ADR Editor: Andrea Toyias
Foley Artist: Gregg Barbanell, MPSE
Sound Effects Editor: Caroline Hernandez, MPSE
Sound Editors: Thomas C. Brewer, MPSE, John Kurlander
Dialogue/ADR Editors: Alexander Ephraim, Clinton D. Jones
Music Editor: Neal AcreeBEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – ANIMATION
BATMAN: THE DARK KNIGHT RETURNS PT. 2 (WARNER BROS. ANIMATION)
Directed by: Jay Oliva
Produced by: Bruce Timm, Sam RegisterNominees:
Supervising Sound Editor: Robert Hargreaves, MPSE
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Foley Artist: Gary Marullo
Sound Effects Editor: George Brooks
Dialogue Editors: Kelly Foley-Downs, Mike Garcia
Foley Editor: John HegedesBEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – LIVE ACTION
MARVEL ONE-SHOT: AGENT CARTER (WALT DISNEY STUDIO)
Directed by: Louis D’ Esposito
Produced by: Kevin Feige, Brad Baruh, Brad Winderbaum, Victoria Alonso, Mitch BellNominees:
Supervising Sound Editor: Andrew DeCristofaro, MPSE
Sound Designers: Ann Scibelli, MPSE, Michael Payne, MPSE
Supervising Dialogue Editor: Laura Harris-Atkinson
Foley Artists: Gary A. Hecker, Gary MarulloBEST SOUND & MUSIC EDITING: SPECIAL VENUE
TO THE ARTIC 3D (Warner Brothers Studios)
Directed by: Greg MacGillivray
Produced by: Shaun MacGillivray, Christopher N. PalmerNominees:
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designers: Stephen P. Robinson, MPSE, Peter Staubli, MPSE
Sound Effects Editors: Edmond Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
Supervising Dialogue/ADR Editor: Tim Kimmel
Dialogue Editor: Steve Judson
Supervising Foley Editor: Kerry Carmean-Williams
Foley Artists: Gary A. Hecker, Gary Marullo
Music Editor: Steve WoodBEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE GRANDMASTER (THE WEINSTEIN COMPANY)
Directed by: Wong Kar Wai
Produced by: Wong Kar Wai, Jacky Pang Yee WahNominees:
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
Sound Designers: Nopawat Likitwong, Steve Burgess
Supervising Foley Editor: John Simpson
Supervising Dialogue & ADR Editor: Gary Chen
Foley Artists: Sam Rogers, Chumnan Chuponkrang
Sound Effects Editors: James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt ChungsangaBEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE PAST (SONY PICTURES CLASSICS)
Directed by: Asghar Farhadi
Produced by: Alexandre Mallet-GuyNominees:
Supervising Sound Editor: Thomas Desjonqueres
Supervising ADR Editor: Frédérique Liebaut
Foley Artists: François LepeupleTELEVISION SHORT FORM
BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC
GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. WeissNominees:
Supervising Music Editor: David KlotzBEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL
PEG + CAT: THE BEETHOVEN PROBLEM (PBS)Directed by: Jennifer Oxley, Billy Aronson, Cory Bobiak
Produced by: Alia Nakashima, Jaclynn (Demas) GennaweyNominees:
Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel MennellaBEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR
GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. WeissNominees:
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin MahonBEST SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY
BREAKING BAD: “FELINA” (AMC)
Directed by: Vince Gilligan
Produced by: Diane Mercer, Bryan CranstonNominees:
Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff CranfordTELEVISION LONG FORM
BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL
HISTORY OF THE EAGLES: PART ONE (SHOWTIME) Directed by: Alison Ellwood
Produced by: Alex Gibney, Blair FosterNominees:
Music Editor: Annette KudrakBEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR
THE BRIDGE: “PILOT” (SHINE AMERICA)
Directed by: Gerardo Naranjo
Produced by: Meredith Stiehm, Elwood ReidNominees:
Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert Guastini, MPSEBEST SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY
SONS OF ANARCHY: “SALVAGE” (FX NETWORK)
Directed by: Adam Arkin
Produced by: Kurt Sutter, Craig YahataNominees:
Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin MeltcherFEATURE FILM
BEST SOUND EDITING IN FEATURE FILM – MUSIC
THE GREAT GATSBY (WARNER BROS.)
Directed by: Baz Luhrman
Produced by: Catherine Knapman, Baz Luhrmann, Catherine MartinNominees:
Supervising Music Editors: Jason Ruder, Tim Ryan
Music Editor: Craig BeckettBEST SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE
FROZEN (BUENA VISTA)
Directed by: Chris Buck, Jennifer Lee
Produced by: Peter Del VechoNominees:
Music Editors: Earl Ghaffari, Fernand Bos, MPSEBEST SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR
CAPTAIN PHILLIPS (COLUMBIA PICTURES)
Directed by: Paul Greengrass
Produced by: Scott Rudin, Michael De LucaNominees:
Supervising Sound Editor: Oliver Tarney, MPSE
Supervising Dialogue Editor: Bjørn Schroeder
Supervising ADR Editor: Simon Chase
Dialogue Editor: Rob KillickBEST SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY
GRAVITY (WARNER BROS.)
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David HeymanNominees:
Supervising Sound Editor: Glenn Freemantle
Sound Designer: Glenn Freemantle
Foley Artist: Nicolas Becker
Sound Design Editors: Niv Adiri, Ben Barker, Eilam Hoffman
Sound Effects Editor: Danny Freemantle
Foley Editor: Hugo Adams
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Source: Deadline